Stacey Rourke
Pub: May 26, 2014
The Horseman is unending,his presence shan’t lessen.
If you break the curse,
you become the legend.
Washington Irving and Rip Van Winkle had no choice but to cover up the deadly truth behind Ichabod Crane’s disappearance. Centuries later, a Crane returns to Sleepy Hollow awakening macabre secrets once believed to be buried deep.
What if the monster that spawned the legend lived within you?
Now, Ireland Crane, reeling from a break-up and seeking a fresh start, must rely on the newly awakened Rip Van Winkle to discover the key to channeling the darkness swirling within her. Bodies are piling high and Ireland is the only one that can save Sleepy Hollow by embracing her own damning curse.
But is anyone truly safe when the Horseman rides?
Ichabod Crane's descendent has returned to Sleepy Hollow, and the moment she does, residents suddenly become victimized by beheadings. And the residents aren't shy about showing their distrust of Ireland and her familial connection to their small town. But when a mystery dude from the past shows up and her dreams start becoming a little prophetic, Ireland Crane is forced to believe that maybe, just maybe, those murdered were selected on her behalf.
I thought I was really going to like this, as I love the Sleepy Hollow storyline in general, but I guess I felt this particular version was lacking as I read through it. I will say it's got a pretty cool cover, which is what drew it to me to begin with. Crane takes readers back and forth between Ireland's present to the past with what happened on Ichabod's end, and I dare say I actually preferred Ichabod and company to the modern day story. So much I would've liked to have had the first book dedicated to the past and a second following up with Ireland, just so their stories flowed more smoothly. I wasn't a huge fan of how someone from the past awakened in the future as the Horseman became active again, because it was too similar to what's been done with the popular TV show. But I will admit I enjoyed Rip's character immensely. He definitely stole the show from the alternating main characters.
Though it was an interesting story, I felt several things were left unanswered. Like why did a Crane have to return to Sleepy Hollow in order for the character responsible for the Horseman to suddenly make itself known (I'm using it to hide the gender). Did Ireland's presence set off a chain reaction? Did it need a Crane around, or did he or she just want to inflict more pain on that family, for messing with it in the past? I didn't think Ireland being there had anything to do with the magic that caused that spell, so I'm just left to wonder why this particular spirit didn't try the spell whenever it wanted, long before a Crane ever returned, because this second time around, the Horseman didn't seem controlled by this individual. Or was it? It wasn't clear as I read through. Also, I found the romance a bit underwhelming, both between Ichabod and Katrina and Ireland and Noah. Ichabod and Katrina seemed a little silly, but given the historical time, their behavior and attraction was probably pretty close to what happened back then, so I found myself forgiving that they seemed ready to have each other soon after meeting. But that's no excuse for Ireland and Noah, who hardly interacted at all before he confessed his willingness to love her despite the evil lying within her. I don't know...just this day in age, it screams insta-love and was just put there to make the two time periods mirror each other. And Noah is so nonchalant about suddenly sharing a bed even though the Horseman could rise as she slept, no matter how much she claimed she had a hold on it. I sure the hell wouldn't be able to sleep so easy! Or in the same house! And I'm not even sure of what to make of the fiancé Ireland left behind. Forget me asking why she was ever involved with such a snooty douche to begin with, but what relevance did all that drama have to the storyline, other than giving the Horseman someone to play with? All this so-called romance was just plain frustrating.
Though it was an interesting story, I felt several things were left unanswered. Like why did a Crane have to return to Sleepy Hollow in order for the character responsible for the Horseman to suddenly make itself known (I'm using it to hide the gender). Did Ireland's presence set off a chain reaction? Did it need a Crane around, or did he or she just want to inflict more pain on that family, for messing with it in the past? I didn't think Ireland being there had anything to do with the magic that caused that spell, so I'm just left to wonder why this particular spirit didn't try the spell whenever it wanted, long before a Crane ever returned, because this second time around, the Horseman didn't seem controlled by this individual. Or was it? It wasn't clear as I read through. Also, I found the romance a bit underwhelming, both between Ichabod and Katrina and Ireland and Noah. Ichabod and Katrina seemed a little silly, but given the historical time, their behavior and attraction was probably pretty close to what happened back then, so I found myself forgiving that they seemed ready to have each other soon after meeting. But that's no excuse for Ireland and Noah, who hardly interacted at all before he confessed his willingness to love her despite the evil lying within her. I don't know...just this day in age, it screams insta-love and was just put there to make the two time periods mirror each other. And Noah is so nonchalant about suddenly sharing a bed even though the Horseman could rise as she slept, no matter how much she claimed she had a hold on it. I sure the hell wouldn't be able to sleep so easy! Or in the same house! And I'm not even sure of what to make of the fiancé Ireland left behind. Forget me asking why she was ever involved with such a snooty douche to begin with, but what relevance did all that drama have to the storyline, other than giving the Horseman someone to play with? All this so-called romance was just plain frustrating.
If you're into Sleepy Hollow or other suspenseful horror stories, might be good to go with Crane. Lots of people have four and five-starred this, so don't let my ho-hum-ness deter you from checking this out. It certainly had some moments here and there that were pretty entertaining.
This is more like a 2.5 for me.
This is more like a 2.5 for me.
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